Hot off the press: our thoughts on what's happening in the world of brand language and business writing. Warning: may contain the occasional rant.
From about the ages of seven to ten, I used to get a book called The Emma Dilemma out of the library at least once a month, purely because I liked the title.
A little owl called Plop confronts his fear, the dark, in a series of encounters with night-lovers. They convince him it’s exciting, kind, fun, necessary, fascinating, wonderful and beautiful.
If you like plots that are interrupted by Houellebecq's rants about sex, love and social liberalism – that are actually disguised as the weird animal stories the protagonist writes – then you'll love this.
To celebrate National Libraries Day this Saturday, we popped down to our own locals and took out the most interesting books we saw.
Creative Review has just published the results of a reader poll on the best advertising slogans... ever.
Ofsted wants to change schools’ ‘satisfactory’ rating to ‘requires improvement’. According to Cameron, it’s no longer enough for a school to be ‘just good enough’.
This time of year’s all about starting new books while you sit in your favourite armchair in front of the fire (okay, maybe a bit twee). So to help you find a good one, we’ve done a book round-up of the reads we think teach us something about writing.
Yes indeed. To counterbalance the naming and shaming of plain English day, we thought we’d round up some of the year’s best examples of writing at work. So here we give you The Writer’s inaugural Fine Print Awards, for people who’ve aspired to something greater than merely ‘plain’.
Our John, Charli, Roshni, Jo, Bee and Nick have been burning the midnight oil to create some short stories – all inspired by handwritten notes found on the streets of London.
At the moment, I’m working from home after an unfortunate coming together of me, my bike, and the Elephant & Castle roundabout.
So, the weird blank-faced Olympic mascots, Wenlock and Mandeville, are ‘in shops this week’.
Queen Victoria and Lewis Carroll did it, too. People have been messing about with language for years.
Over the last ten years our language has had to evolve more quickly than it’s ever had to before. As fast as people can invent those increasingly shiny and clever things everyone wants, we have to invent ever more bizarre words to describe them.
Anya and I have been over in New York for the last few weeks, running a kind of pop-up Writer.
On Friday we held our monthly creative team meeting at The Scoop, an ampitheatre next to City Hall in London.
He’s written an opinion piece in the NY Times which starts with the words:
People in riot-affected Peckham have been writing messages about why they love their community on post-it notes, then sticking them on a boarded-up shop.
I was there on Saturday. It was hot, sweaty, cramped and crowded. And my train was delayed, indefinitely. I wasn’t livid, but it was the next station stop.
People love getting into a lather about language. If you needed proof, the BBC published an article last week about the supposed tidal wave of Americanisms overwhelming British English. And got a deluge of people’s personal peeves.
I like a good rhyme. Even better, I like a good rhyme that shouldn’t actually be a rhyme but the writer has decided to shoehorn one in anyway.
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